gets "The Last Word" with CNN's John King,
on both health care
and the 4th Anniversary of Katrina
As the Democratic Senator of a relatively conservative state she manages to find the middle ground and represent the people who elected her.
No easy task.
Note that she gets coastal protection issue correct.
Remember Katrina was a natural disaster,
BUT what happened in New Orleans was an engineering failure.
Levees.org founder is Sandy Rosenthal
Sunday, August 30, 2009
Saturday, August 29, 2009
On the 4th Anniversary of Katrina
John Barry, author of Rising Tide and Influenza is also the Secretary of the Levee Board for the east bank of the Mississippi which includes New Orleans. Listen as he talks about the importance of reversing the damage done to Louisiana's coastal wetlands. Take a look at facts you might not know. For too long we've let engineers determine the fate of southeast Louisiana. It's time to respect the geology of southeast Louisiana and the Mississippi River and work WITH Nature instead of against.
For 4 years the people of southeast Louisiana & Mississippi have worked to recover from the storm. Please take time to share this with your senators & representatives. You may think this does not impact you. But when you look at the facts that John Barry presents you will realize that we are all more connected than we think.
For 4 years the people of southeast Louisiana & Mississippi have worked to recover from the storm. Please take time to share this with your senators & representatives. You may think this does not impact you. But when you look at the facts that John Barry presents you will realize that we are all more connected than we think.
Thursday, August 27, 2009
Diana & Dianus Garden Plaques
These are the same size. They were purchased at a local garden/nursery. I liked the fact that the were a matching set and the similarity to the New Orleans Water Meter cover.
Monday, August 24, 2009
Rite of Union
One of the basic components of the branch of Stregheria I practice is the Rite of Union. It is in its most basic form a prayer. But it is also an alignment ritual. The words and gestures are meant to align our physical body with our spiritual selves and with the Gods.
It is short and simple. The instructions for the hand gestures are given on page 115 of Hereditary Witchcraft.
Hail and Adoration to you O Source of my Enlightenment. I pray thee impart to me thy illumination. Enlighten my mind that I may see more clearly all things in which I endeavor. Illuminate my soul, imparting thy essence of purity. I reveal my inner self to thee and ask that all be cleansed and purified from within.
When I first started practicing Stergheria I struggled to memorize all the new bits. I was being taught via the internet and eMail. My teacher was and is great, but far away. I didn't get the reinforcement associated with seeing and hearing someone else do this, nor the benefit of doing the action with others. Because the Rite of Union was both a part of many rituals and a smaller manageable bitesize piece, a Strega's prayer, I thought I should be able to memorize it easily. But I kept getting the words and gestures snarled up. One day I became so frustrated with not being able to remember all the parts of this correctly that I finally broke down and locked my self in a room in front of my Lasa Shrine and repeated these words and the associated actions over and over.
First just the beginning, Hail and Adoration unto Thee O Source of my enlightenment. So many times until it slipped from my tongue without thinking. Perhaps as a result of my initial frustration which became an internal plea, I ended up starting my Rite of Union with my arms raised in an outreaching V with my palms open. Hail and Adoration unto Thee O Source of my enlightenment. Which means for me, I am here. I acknowledge you O Source of my enlightenment. I reach out to you and honor you. And initially, while I struggled, a plea to help me get this, please!
Then, I pray Thee impart to me Thy Illumination letting the action of creating the triangle of manifestation above my forehead bring the wide wonder and greatness of the One into focus. Me on the One and the One on me.
Arms up reaching out Hail and Adoration......... Hands into triangle ........ Thy Illumination. Then on to the triangle over my forehead... until it seemed so practical, so natural. Of course I would want to have my thoughts enlightened. Of course it would be natural for this enlightenment to come to the location of the 3rd eye. Enlighten my mind that I may see more clearly all things in which I endeavor.. Over and over again.
Now what? Why am I here? I am here for my soul, because this is my spiritual path, my center. So the triangle of manifestation goes over my solar plexus with the words: "Illuminate my soul, imparting thy essence of purity.". Not just my mind. Not just in your head. But your SOUL.
And then because there is always the opportunity for more and because I want to bring this illumination into my core, I open my arms saying, I reveal my inner self to thee and ask that all be cleansed and purified from within. Cleansed and purified. Allow me to be open. See my arms are open, I am open. Allow me to start fresh, clean and purified.
Again I did each section over and over again. Until I decided to try the whole thing together and low and behold! It just worked. All the hand gestures all the words flowed as they should and their meaning flowed into me as well. Now I can break into the Rite of Union at any time (well when I'm pretty sure no one is looking or will care). I do it to the Full Moon. I've done it at sunrise or sunset, to an oncoming storm front, to a magnificent bush of gardenia flowers. Or of course as part of ritual. Even when I do my rituals inside because my back yard does not offer enough privacy to do circle casting ritual outside, I always start the Full Moon Ritual by going outside and doing the Rite of Union to a Full Moon. My teacher encouraged this and was, of course, right.
It is short and simple. The instructions for the hand gestures are given on page 115 of Hereditary Witchcraft.
Hail and Adoration to you O Source of my Enlightenment. I pray thee impart to me thy illumination. Enlighten my mind that I may see more clearly all things in which I endeavor. Illuminate my soul, imparting thy essence of purity. I reveal my inner self to thee and ask that all be cleansed and purified from within.
When I first started practicing Stergheria I struggled to memorize all the new bits. I was being taught via the internet and eMail. My teacher was and is great, but far away. I didn't get the reinforcement associated with seeing and hearing someone else do this, nor the benefit of doing the action with others. Because the Rite of Union was both a part of many rituals and a smaller manageable bitesize piece, a Strega's prayer, I thought I should be able to memorize it easily. But I kept getting the words and gestures snarled up. One day I became so frustrated with not being able to remember all the parts of this correctly that I finally broke down and locked my self in a room in front of my Lasa Shrine and repeated these words and the associated actions over and over.
First just the beginning, Hail and Adoration unto Thee O Source of my enlightenment. So many times until it slipped from my tongue without thinking. Perhaps as a result of my initial frustration which became an internal plea, I ended up starting my Rite of Union with my arms raised in an outreaching V with my palms open. Hail and Adoration unto Thee O Source of my enlightenment. Which means for me, I am here. I acknowledge you O Source of my enlightenment. I reach out to you and honor you. And initially, while I struggled, a plea to help me get this, please!
Then, I pray Thee impart to me Thy Illumination letting the action of creating the triangle of manifestation above my forehead bring the wide wonder and greatness of the One into focus. Me on the One and the One on me.
Arms up reaching out Hail and Adoration......... Hands into triangle ........ Thy Illumination. Then on to the triangle over my forehead... until it seemed so practical, so natural. Of course I would want to have my thoughts enlightened. Of course it would be natural for this enlightenment to come to the location of the 3rd eye. Enlighten my mind that I may see more clearly all things in which I endeavor.. Over and over again.
Now what? Why am I here? I am here for my soul, because this is my spiritual path, my center. So the triangle of manifestation goes over my solar plexus with the words: "Illuminate my soul, imparting thy essence of purity.". Not just my mind. Not just in your head. But your SOUL.
And then because there is always the opportunity for more and because I want to bring this illumination into my core, I open my arms saying, I reveal my inner self to thee and ask that all be cleansed and purified from within. Cleansed and purified. Allow me to be open. See my arms are open, I am open. Allow me to start fresh, clean and purified.
Again I did each section over and over again. Until I decided to try the whole thing together and low and behold! It just worked. All the hand gestures all the words flowed as they should and their meaning flowed into me as well. Now I can break into the Rite of Union at any time (well when I'm pretty sure no one is looking or will care). I do it to the Full Moon. I've done it at sunrise or sunset, to an oncoming storm front, to a magnificent bush of gardenia flowers. Or of course as part of ritual. Even when I do my rituals inside because my back yard does not offer enough privacy to do circle casting ritual outside, I always start the Full Moon Ritual by going outside and doing the Rite of Union to a Full Moon. My teacher encouraged this and was, of course, right.
Monday, August 17, 2009
Sunday, August 16, 2009
Seasonal shift
I know, right now in other parts of the country and northern hemisphere this is prime summer growing season. I live in New Orleans which has and I hope always will be slightly out of phase with the rest of the world. Now is the start of our inbetween season. Watermelons are ready and the okra is going crazy. But many summer plants are finishing up. Oh the eggplant and peppers will produce into the fall but it is time to think about pulling up the tomato plants. We can start harvesting and keep harvesting basil for pesto until the first frost. But the basil is at its prime now. It is also time to think about planting our fall crops.
While this process can seem wildly out of phase with other parts of our county it is in keeping with the mythos that is part of my tradition. Autumn Equinox is when our God dies. Here in New Orleans we start to see the signs earlier than most. It actually makes sense with our agricultural seasons for the God to die and go into the earth at the equinox. Seed crops like sugar snap peas, dill and root crops like onions, leek, radish, carrot are what we'll plant. We can plant other crops too like kale and parsley.
One of the things that I love about my tradition's wheel of the year is that it works with what passes as seasons here in New Orleans. This year I've decided to go with organic heriloom seeds instead of seed packs from Lowe's or Home Depot. I've placed the seed orders today. The seeds should be here in a week or 2.
While this process can seem wildly out of phase with other parts of our county it is in keeping with the mythos that is part of my tradition. Autumn Equinox is when our God dies. Here in New Orleans we start to see the signs earlier than most. It actually makes sense with our agricultural seasons for the God to die and go into the earth at the equinox. Seed crops like sugar snap peas, dill and root crops like onions, leek, radish, carrot are what we'll plant. We can plant other crops too like kale and parsley.
One of the things that I love about my tradition's wheel of the year is that it works with what passes as seasons here in New Orleans. This year I've decided to go with organic heriloom seeds instead of seed packs from Lowe's or Home Depot. I've placed the seed orders today. The seeds should be here in a week or 2.
Friday, August 14, 2009
Diana's Day Ritual
Keep to the ways beyond all obstacles. My backyard is not as private as I would like it to be. PreKatrina it was a bit more private but I lost some of the taller plants in the brackish water that covered everything for a little over a week. I have great backyard neighbors but when I want to be left alone to do ritual visiting is not what I have in mind. Sometimes I have to visit and then wait to do ritual. And then I remember that we are to keep to the ways beyond all obstacles.
I prepared 2 scrolls with my written petitions. These were a combination of symbols, images related to my requests, and written spells. I rolled these and tied them with white ribbon in preparation for burning.
I created a "lake" from a circular firepit and placed 13 votives around it's edge. I also set up my New Orleans firepit to burn the petitions.
After lighting the votives around the "lake" and the log in the firepit I did the Rite of Union to the Diana plaque I have on my garden fence. I then circled the lake 13 times remembering all those who celebrated Diana's Day or the Nemoralia in the past. I burned dried rosemary and spearmint cut from my garden weeks ago in the pit as incense. I did the Rite of Union to the Diana plaque again. Then I called to the Grigori and asked that they allow my magic to manifest. I then burned my petitions in the fire.
I finished the ritual with one last Rite of Union. This was the first time I have done this outside and even with the still, heavy heat of August and the additional heat from the fire, the ritual was more powerful outdoors. So it looks like I be creating Diana's Mirror in my backyard again next year.
I prepared 2 scrolls with my written petitions. These were a combination of symbols, images related to my requests, and written spells. I rolled these and tied them with white ribbon in preparation for burning.
I created a "lake" from a circular firepit and placed 13 votives around it's edge. I also set up my New Orleans firepit to burn the petitions.
After lighting the votives around the "lake" and the log in the firepit I did the Rite of Union to the Diana plaque I have on my garden fence. I then circled the lake 13 times remembering all those who celebrated Diana's Day or the Nemoralia in the past. I burned dried rosemary and spearmint cut from my garden weeks ago in the pit as incense. I did the Rite of Union to the Diana plaque again. Then I called to the Grigori and asked that they allow my magic to manifest. I then burned my petitions in the fire.
I finished the ritual with one last Rite of Union. This was the first time I have done this outside and even with the still, heavy heat of August and the additional heat from the fire, the ritual was more powerful outdoors. So it looks like I be creating Diana's Mirror in my backyard again next year.
Thursday, August 13, 2009
Words of Aradia: Concerning Worship
These words are taken from Italian Witchcraft by Raven Grimassi:
Remember to keep, and observe, all the sacred gatherings. For therein does the power flow, and emanate forth into our Being. Observe the time of the Full Moon, and all the Holy Days of the Goddess.
Honor the Sun and Moon for they are sacred symbols of the God and Goddess(which they placed in the heavens as a token of their convenant with us). But do not workship them, for they are but images of the Great Ones.
And you who are priests and priestesses, remember the times of union (and the rite thereof).
All acts of reverence toward Nature and toward life are acts of worship. So it is too with love and pleasure. Therefore, let each day be your rituals of adoration to the Great Ones.
Times of Gathering
Shadowfest (October 31st)
Winter Solstice
Lupercus (Feburary 2nd)
Spring Equinox
Lady Day (May Eve/May 1st)
Summer Solstice
Cornucopia (August Eve)
Autumn Equinox
The Holy Days
Festival of Diana (August 13th)
Festival of Fana (December 19th)
Festival of Tana (May 1st)
Remember to keep, and observe, all the sacred gatherings. For therein does the power flow, and emanate forth into our Being. Observe the time of the Full Moon, and all the Holy Days of the Goddess.
Honor the Sun and Moon for they are sacred symbols of the God and Goddess(which they placed in the heavens as a token of their convenant with us). But do not workship them, for they are but images of the Great Ones.
And you who are priests and priestesses, remember the times of union (and the rite thereof).
All acts of reverence toward Nature and toward life are acts of worship. So it is too with love and pleasure. Therefore, let each day be your rituals of adoration to the Great Ones.
Times of Gathering
Shadowfest (October 31st)
Winter Solstice
Lupercus (Feburary 2nd)
Spring Equinox
Lady Day (May Eve/May 1st)
Summer Solstice
Cornucopia (August Eve)
Autumn Equinox
The Holy Days
Festival of Diana (August 13th)
Festival of Fana (December 19th)
Festival of Tana (May 1st)
Wednesday, August 12, 2009
Vinnie Russo on Grimassi and Streghe
Posted with permission.
From: Vinnie Russo
Subject: [traditional_stregheria] Moderator Note - Grimassi & Wicca bashing
Date: Aug 12, 2009 8:49 AM
Hello all,
First, I want to say that I am thrilled with all of our new members and the recent lively discussions. However, I need to step in both personally and as a moderator regarding Raven Grimassi as well as the recent attitude of "Wicca bashings".
I know Raven Grimassi personally. People who criticize his published material often don't have all the facts, have never talked to him, or have jumped to assumptions.
Raven's published material is just that published. You don't really think that he'd actually publish all the material that he has or what he uses to train personal students, do you? It's material that is appropriate to teach the public, he makes that very clear. However, what Raven teaches his students is both authentic and valid.
I would like to quote directly from Raven Grimassi:
"There is a rich legacy of ritual, lore, and magic in the teachings of Italian Witchcraft. It has always been my goal to share this with others in whatever way I can. This has been a challenge over the years because much of the material is protected by sworn oaths to not reveal various elements. I have pushed that envelope over the year and continue to do so today. Ironically this has brought charges from initiates that I am violating the oaths, and it has brought allegations from the public that I have nothing authentic to share and am simply using the "oath claim" as a shield. We are a fascinating community."
"The facts are that I plant the keys to initiate material in my non-initiate material. I use common material as a carrier for the inner workings. All that is required is for a person to sift through my books and join things together. The keys and the doorways are all there, it only takes a focused desire to reveal what resides within the written words. Is this the breaking of oaths? For some people it is, and some initiates feel that I am freely giving away keys that they have had to work for over the years."
"Some non-initiates look at my work, and because it contains some common Wiccan elements they dismiss it all as unauthentic. I guess this is like finding a fly in your soup; it ruins the whole thing. Except, of course, that the fly doesn't make chicken soup something else because the fly is mixed in. It's chicken soup with a fly in it. That's pretty much the situation with Wiccan elements in my writings on Italian Witchcraft. I was particularly amused one time to hear my book on Italian Witchcraft referred to as Wicca with marinara sauce. While inaccurate, the statement is still funny."
"I find that some of my critics invent things about me and work, which is really a misuse of valuable time for all concerned. While I appreciate respectful differences of opinion, and I value constructive criticism of my writings, I have little tolerance for unwarranted allegations and outright lies. But I do realize that being a public figure is going to draw attacks upon my work and my character. It's an unfortunate truth about human nature."
More can be read here.
OK, back to me now. In addition to responding to inaccuracies regarding Raven's work, I want to address the recent "Strega good, Wicca bad" attitude.
What's with all the Wicca bashing? There is absolutely no reason to denigrate or criticize another Path in order to compliment one's own. It is entirely possible to "sing the praises" of what Stregheria is WITHOUT the need to criticize what it is not.
Stregheria is a VERY diverse path and some families and branches have chosen to incorporate some Wiccan elements. So what? I applaud them. They are taking a long term look at things and incorporating elements into their own practices to ensure what they pass is a complete system rather than a fragmented system of lore and folk magic. Bravo.
The very culture of Sicily and Italy is syncretic in nature (Italian, Greek, Spanish, French, African, Phoenician, etc.) and there is no reason that our Craft shouldn't reflect that. As a matter of fact, it would be VERY surprising if our Craft DIDN'T reflect that especially as a living tradition. As many of us are American, English, etc. and NOT native Italian or native Sicilian, it only makes sense that we would begin to incorporate elements of the culture that we currently live in and make those elements our own. Just because something originally can be traced to another culture or Path doesn't mean that it can't also be part of Stregheria. It becomes part of Stregheria (at least in particular families) when the element in question becomes fully integrated into the composite fabric of the Craft.
Further, factual history of the Craft (of any culture) is almost non-existent. Most of the so-called facts are simple oral lore and stories but would not stand up to academic research to ascertain the validity of the various claims. Much of the initial modern Wiccan/Pagan movement started based on a fabrication of history (i.e. tweaking the truth and even outright lies). It's much better now with Wiccans becoming Academics and doing real research that will allow them to take a more honest look at themselves.
I don't want to see us (The Streghe) fall into the same trap that the Wiccans of the 1960's did namely, that of everyone claims to have a personal family tradition going back in an unbroken line for thousands of years; with unchanged material, lore, and mysteries; that is a complete system of magic and mystery; that was always secret which is how it survived; and is oathbound so no verifiable proof can be offered to corroborate. If we follow that path, it only makes us look like attention seekers and children that don't know any better.
So, let's all try to criticize others less and compliment good academic research, good heart, and honest discussion more.
---Vinnie
From: Vinnie Russo
Subject: [traditional_stregheria] Moderator Note - Grimassi & Wicca bashing
Date: Aug 12, 2009 8:49 AM
Hello all,
First, I want to say that I am thrilled with all of our new members and the recent lively discussions. However, I need to step in both personally and as a moderator regarding Raven Grimassi as well as the recent attitude of "Wicca bashings".
I know Raven Grimassi personally. People who criticize his published material often don't have all the facts, have never talked to him, or have jumped to assumptions.
Raven's published material is just that published. You don't really think that he'd actually publish all the material that he has or what he uses to train personal students, do you? It's material that is appropriate to teach the public, he makes that very clear. However, what Raven teaches his students is both authentic and valid.
I would like to quote directly from Raven Grimassi:
"There is a rich legacy of ritual, lore, and magic in the teachings of Italian Witchcraft. It has always been my goal to share this with others in whatever way I can. This has been a challenge over the years because much of the material is protected by sworn oaths to not reveal various elements. I have pushed that envelope over the year and continue to do so today. Ironically this has brought charges from initiates that I am violating the oaths, and it has brought allegations from the public that I have nothing authentic to share and am simply using the "oath claim" as a shield. We are a fascinating community."
"The facts are that I plant the keys to initiate material in my non-initiate material. I use common material as a carrier for the inner workings. All that is required is for a person to sift through my books and join things together. The keys and the doorways are all there, it only takes a focused desire to reveal what resides within the written words. Is this the breaking of oaths? For some people it is, and some initiates feel that I am freely giving away keys that they have had to work for over the years."
"Some non-initiates look at my work, and because it contains some common Wiccan elements they dismiss it all as unauthentic. I guess this is like finding a fly in your soup; it ruins the whole thing. Except, of course, that the fly doesn't make chicken soup something else because the fly is mixed in. It's chicken soup with a fly in it. That's pretty much the situation with Wiccan elements in my writings on Italian Witchcraft. I was particularly amused one time to hear my book on Italian Witchcraft referred to as Wicca with marinara sauce. While inaccurate, the statement is still funny."
"I find that some of my critics invent things about me and work, which is really a misuse of valuable time for all concerned. While I appreciate respectful differences of opinion, and I value constructive criticism of my writings, I have little tolerance for unwarranted allegations and outright lies. But I do realize that being a public figure is going to draw attacks upon my work and my character. It's an unfortunate truth about human nature."
More can be read here.
OK, back to me now. In addition to responding to inaccuracies regarding Raven's work, I want to address the recent "Strega good, Wicca bad" attitude.
What's with all the Wicca bashing? There is absolutely no reason to denigrate or criticize another Path in order to compliment one's own. It is entirely possible to "sing the praises" of what Stregheria is WITHOUT the need to criticize what it is not.
Stregheria is a VERY diverse path and some families and branches have chosen to incorporate some Wiccan elements. So what? I applaud them. They are taking a long term look at things and incorporating elements into their own practices to ensure what they pass is a complete system rather than a fragmented system of lore and folk magic. Bravo.
The very culture of Sicily and Italy is syncretic in nature (Italian, Greek, Spanish, French, African, Phoenician, etc.) and there is no reason that our Craft shouldn't reflect that. As a matter of fact, it would be VERY surprising if our Craft DIDN'T reflect that especially as a living tradition. As many of us are American, English, etc. and NOT native Italian or native Sicilian, it only makes sense that we would begin to incorporate elements of the culture that we currently live in and make those elements our own. Just because something originally can be traced to another culture or Path doesn't mean that it can't also be part of Stregheria. It becomes part of Stregheria (at least in particular families) when the element in question becomes fully integrated into the composite fabric of the Craft.
Further, factual history of the Craft (of any culture) is almost non-existent. Most of the so-called facts are simple oral lore and stories but would not stand up to academic research to ascertain the validity of the various claims. Much of the initial modern Wiccan/Pagan movement started based on a fabrication of history (i.e. tweaking the truth and even outright lies). It's much better now with Wiccans becoming Academics and doing real research that will allow them to take a more honest look at themselves.
I don't want to see us (The Streghe) fall into the same trap that the Wiccans of the 1960's did namely, that of everyone claims to have a personal family tradition going back in an unbroken line for thousands of years; with unchanged material, lore, and mysteries; that is a complete system of magic and mystery; that was always secret which is how it survived; and is oathbound so no verifiable proof can be offered to corroborate. If we follow that path, it only makes us look like attention seekers and children that don't know any better.
So, let's all try to criticize others less and compliment good academic research, good heart, and honest discussion more.
---Vinnie
Monday, August 10, 2009
Festival of Diana - August 13
Take a walk into Lake Nemi as CMC Green, the author of Roman Religion and the Cult of Diana at Aricia describes the setting:
"From here (the narrow road to the crater) the road curves, cresting the crater's ridge, and one finds oneself in a world of incredible remoteness and indeed, sacredness, even while the noise of school children playing has not yet died away. ...
Within the crater the woods are thick and green and birdsong fills the air, and the perfect blue of the lake reflects the sky and the crater's sloping sides. The old (asphalted) Roman road, still slopes gently down from the crest to skirt the lake, moving away toward the sanctuary at a point where the lake leaves a blunt triangle. To pass over the ridge into the crater is a very real experience of crossing a boundary into what is still effectively sacred space.
The crater is steep and the lake 30 meters deep, with only a narrow shoreline. On the northeast side is the one bit of level land beside the lake, roughly triangular in shape. ... Just to the east beneath the sheerest rise of stone, a great spring poured from the crater wall and into the lake. ... The crater is large enough to define a world of its own but not so large that it invites fragmentation of its interior space and in this very contained space, the triangular flatland forms a single orienting point.
The crater is the natural place for a hunting cult. It is the universe writ small, uniting the three cosmic levels - the earth, the canopy of the heavens, and, through the depths of the lake and the caves at its shore, the underworld. It was then, as now, a place of stunning beauty and peace, sacred and remote. ...
It is a small lake, spring fed, ... As there was no above-ground outlet, the lake level would have changed according to seasonal rain or drought although over time such changes would be modertated by the underground outflows. ... This triangle, broad across the curve of the lake and narrowing into the crater walls, is where the terrace for the lower sanctuary was eventually built. It resembled the stubby handle embracing the bottom of an Etruscan mirror. On a calm day the lake reflects the sky and the shoreline with shimmering perfection. The Romans, much more attuned to the visual impact of the setting than we can be, called the lake the speclum Dianae.
The crater has its own microclimate. Violent thunderstorms, earthquakes and thick fogs are all more frequent there then they are in the plains of Latium beyond. Trees - today chestnuts but in antiquity also beech and oak - as well as scrub and the larger woody bushes grew thick on the crater slopes: the area was densely populated with wildlife."
Imagine the ancient celebration as described by Ovid, from his Fasti:
In the Arician valley, there is a lake surrounded by shady forests,
Held sacred by a religion from the olden times...
On a long fence hang many pieces of woven thread,
and many tablets are placed there
as grateful gifts to the Goddess.
Often does a woman whose prayers Diana answered,
With a wreath of flowers crowning her head,
Walk from Rome carrying a burning torch...
There a stream flows down gurgling from its rocky bed..."
One Roman poet, Propertius, apparently attended the festival in the 1st century CE, as indicated in these words to his beloved:
"Ah, if you would only walk here in your leisure hours.
But we cannot meet today,
When I see you hurrying in excitement with a burning torch
To the grove of Nemi where you
Bear light in honour of the Goddess Diana"
"From here (the narrow road to the crater) the road curves, cresting the crater's ridge, and one finds oneself in a world of incredible remoteness and indeed, sacredness, even while the noise of school children playing has not yet died away. ...
Within the crater the woods are thick and green and birdsong fills the air, and the perfect blue of the lake reflects the sky and the crater's sloping sides. The old (asphalted) Roman road, still slopes gently down from the crest to skirt the lake, moving away toward the sanctuary at a point where the lake leaves a blunt triangle. To pass over the ridge into the crater is a very real experience of crossing a boundary into what is still effectively sacred space.
The crater is steep and the lake 30 meters deep, with only a narrow shoreline. On the northeast side is the one bit of level land beside the lake, roughly triangular in shape. ... Just to the east beneath the sheerest rise of stone, a great spring poured from the crater wall and into the lake. ... The crater is large enough to define a world of its own but not so large that it invites fragmentation of its interior space and in this very contained space, the triangular flatland forms a single orienting point.
The crater is the natural place for a hunting cult. It is the universe writ small, uniting the three cosmic levels - the earth, the canopy of the heavens, and, through the depths of the lake and the caves at its shore, the underworld. It was then, as now, a place of stunning beauty and peace, sacred and remote. ...
It is a small lake, spring fed, ... As there was no above-ground outlet, the lake level would have changed according to seasonal rain or drought although over time such changes would be modertated by the underground outflows. ... This triangle, broad across the curve of the lake and narrowing into the crater walls, is where the terrace for the lower sanctuary was eventually built. It resembled the stubby handle embracing the bottom of an Etruscan mirror. On a calm day the lake reflects the sky and the shoreline with shimmering perfection. The Romans, much more attuned to the visual impact of the setting than we can be, called the lake the speclum Dianae.
The crater has its own microclimate. Violent thunderstorms, earthquakes and thick fogs are all more frequent there then they are in the plains of Latium beyond. Trees - today chestnuts but in antiquity also beech and oak - as well as scrub and the larger woody bushes grew thick on the crater slopes: the area was densely populated with wildlife."
Imagine the ancient celebration as described by Ovid, from his Fasti:
In the Arician valley, there is a lake surrounded by shady forests,
Held sacred by a religion from the olden times...
On a long fence hang many pieces of woven thread,
and many tablets are placed there
as grateful gifts to the Goddess.
Often does a woman whose prayers Diana answered,
With a wreath of flowers crowning her head,
Walk from Rome carrying a burning torch...
There a stream flows down gurgling from its rocky bed..."
One Roman poet, Propertius, apparently attended the festival in the 1st century CE, as indicated in these words to his beloved:
"Ah, if you would only walk here in your leisure hours.
But we cannot meet today,
When I see you hurrying in excitement with a burning torch
To the grove of Nemi where you
Bear light in honour of the Goddess Diana"
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Sunday, August 9, 2009
Aricia: Diana & Rex Nemorensis
FROM: Ancient Legends of Rome, by Ettore Pais (Dodd, Mead and Company, 1905)
page 143-146:
"This circumstance, added to the torch which adorned the statue of Diana Aricina, favors a belief in the direct derivation of the cult from Diana Phaeelitis (the torch-bearer), worshipped by the Greeks of Rhegium and of Messana. Moreover, it was related that Virbius, on returning to life, assumed the appearance of an old man, and, though remaining unknown to others, was accorded an ignoble, yet immortal, existence near his beloved Diana.
Virbius (according: to the declarations of the ancients) was the name of a river. Other texts inform us that Virbius was the Sun. The two statements, rather than being mutually exclusive, are supplementary to each other for, the water which descends from the skies is transformed into fountains and rivers. Janus is, at one and the same time, the god of the Sun and of the waters; he is the lover of the fountains Camesa and Juturna, and of the spring Venilia, - that is, of the nymph which represented the currents of the springs. Likewise, just as Hephaistos, among the Greeks was placed in relation with the ocean, so Vulcan, at Rome, was placed in dose connection with the Tiber. Again, the mention of Egerius as founder of the temple of Diana, and, in even greater degree, certain remains found in the area of the temple, prove that the cult of the waters was closely connected with that of Diana Aricina also. On the whole, it seems a probable supposition that the cult of Virbius and of Diana was related with the cult of the nocturnal light, and that it represents one of the many forms of popular and sacerdotal fancies regarding the relations between the Sun and the Moon which illuminates the woods with its nocturnal light.
The most characteristic touch of the cult was, however, that one relating to its priest. As also in other places, he was considered an emanation and a perpetuation of the god himself. The god was considered a divinity which had to lead an ignoble life, and his priest had to be an escaped slave who with weapons in hand for fear of being slain, continually wandered through the woods. Whosoever killed him became his successor, and inherited the name of rex nemorensus that is, the king of the woods. The general metamorphosis of the cult, and the softening of sentiments, brought it about that, to the writers of the end of the Republic, this cult already seemed strange. There was, however, nothing strange in such cult. It recalls the conditions obtaining in the easiest Latin civilization, reminding us of the roughness and the brutality of the Roman Lupercalia, and of the ferocity of the Luperci, or, better still, of the Hirpini on Mount Soracte, These latter, it will be remembered, in imitation of their totem, the wolf, lived entirely by rapine.
Thus the priest of the Nemus Aricinum, as well as the god, is himself called rex. This brings to mind the asylum which Romulus established on the Capitoline Hill, and that other asylum on the Gelian where Tullus Hostilius or Servius Tullhis received bandits and fugitives. The fact that the legend of the very humble origins of Rome was at no time rejected by the national tradition, and was only partly modified and softened in later ages, is in perfect harmony with this primitive phase of Latin civilization. Moreover, even today in certain regions of southern Italy (where forms of primitive social life still survive) the brigand inspires no averse feelings in the farmer, who does not avoid his society. The bandit is more often the subject of admiration than of fear in the mountain fastnesses of Calabria, Corsica and of Sardinia. Perhaps, too, one may note that, notwithstanding so many centuries of civilization and the softening of customs, the country round about Nerni and Gerizano even today recall at times the ferocity of the ancient inhabitants of the Alban hills. Another series of facts illustrates, in still greater degree, the analogies, indeed the identity, of the cult of the lake at Aricia with that of Diana on the Aventine, The Aventine, being the region sacred to slaves and to fugitives of all the Latin nations, was always excluded from the powerittm* On this hill, not only did the slaves and fugitives find refuge (as for instance in the time of the Gracchi), but here, as well as on the Mons Sacer, was the tribunate of the plebs supposed to have been established. And the plebs, in fact, were originally composed of fugitive slaves and of those without masters.
These analogies extend, also, to the representatives of the cult in the two temples,—the one at Rome, the other at Anew. The priest at Aricia was a servus rex and Servius Tullius, sixth king of Rome,, was likewise the son of a slave woman. The servus rex of Aricia had to be a fugitive slave and was obliged to flee continually for fear of assassination by the aspirant to his office,. He was, indeed, the representative and the emanation of that Virbius represented as an aged man, who, under the name Hippolytus, had been trampled upon by the chariot-horses. Similarly, the old , Servius Tullius in vain endeavored to flee in a chariot, and was trampled upon in the Clivus Orbius (or Urbius), where the temple of Diana was situated. Indeed, the Clivus Virbius of Aricia was the street inhabited by beggars, and leading to the temple of Diana. Even today, in the popular speech of Italy, the Sun is called the father of the poor.
There are other points of contact still more remarkable. It is expressly said that Virbius was the Sun and the lover of Diana Aricina. This goddess was worshipped on the ides of August, in other words, in that month which the ancients gratefully placed under the guardianship (tutela) of Vulcan. The ancients also said that Servius Tullius was the son of Vulcan, or of the Sun. To him were sacred the Nones of each month, and his birth was said to have occurred towards the Ides of August. This day, a festal clay of the servi (slaves), was, too, considered the day on which King Serving Ttilltu* dedicated the temple of Diana on the Aventine. Though Virbius was the lover of Diana, Servius Tullius was beloved by Fortuna. In the sacred narratives officially accepted by the Roman priesthood, it was stated that Fortuna secretly visited Servius by night, entering: by the door called Fenesta. It is, therefore, easily understood how the various temples of Fortuna, and particularly that one in the Forum Boarium, were said to have been consecrated by Servius, The divinity worshipped in this temple seems to have been identified with Pudicitia Plebeia, a fact recalling the cult of Diana, which also at Aricia assumed special forms. So true is it, that she was there called Vesta, which reminds us of the Lares discovered in the temple of the goddess, and also of the fact that Servius was considered the son of the domestic Lar, or else of Vulcan.
At any rate, it is certain that chaste Fortuna, who was accustomed to pay her visits by night and veiled, is strongly reminiscent of Diana approaching the sleeping Endymion. To this must be added the fact that the Dianium, which was situated near the vicus Urbius (the later called sceleratus) and which was inhabitated by Servius Tullius, does not seem to differ from the temple and the sanctuary of Fortuna, or of Pudicitia Plebeia, who assisted Servius in his dying moments. The bones of Orestes (which were transported from Aricia) were not buried in the Dianium on the Aventine, but beneath the temple of Saturn in the Forum. The thought naturally arises that there may have been more or less similar cults in the different Latin cities, and that the two temples of Diana (at Rome and at Aricia) were not closely related to each other. Nevertheless, it must be remarked that Roman tradition is consistent in stating that the Aventine was inhabited by the Prisci Latini, and that the temple of Diana Aventinensis was erected by the entire Latin confederation."
Rex Nemorensis is a part of the history of the area. But other than the knowing the story is in Frazer's Golden Bough and mentioned by other classical historians, it does not play a strong part in the pratices associated with the tradition I follow. We do have a strong link to Diana's Day/August 13th. This celebration, known as the Nemoralia by others, is one of our Holy Days.
page 143-146:
"This circumstance, added to the torch which adorned the statue of Diana Aricina, favors a belief in the direct derivation of the cult from Diana Phaeelitis (the torch-bearer), worshipped by the Greeks of Rhegium and of Messana. Moreover, it was related that Virbius, on returning to life, assumed the appearance of an old man, and, though remaining unknown to others, was accorded an ignoble, yet immortal, existence near his beloved Diana.
Virbius (according: to the declarations of the ancients) was the name of a river. Other texts inform us that Virbius was the Sun. The two statements, rather than being mutually exclusive, are supplementary to each other for, the water which descends from the skies is transformed into fountains and rivers. Janus is, at one and the same time, the god of the Sun and of the waters; he is the lover of the fountains Camesa and Juturna, and of the spring Venilia, - that is, of the nymph which represented the currents of the springs. Likewise, just as Hephaistos, among the Greeks was placed in relation with the ocean, so Vulcan, at Rome, was placed in dose connection with the Tiber. Again, the mention of Egerius as founder of the temple of Diana, and, in even greater degree, certain remains found in the area of the temple, prove that the cult of the waters was closely connected with that of Diana Aricina also. On the whole, it seems a probable supposition that the cult of Virbius and of Diana was related with the cult of the nocturnal light, and that it represents one of the many forms of popular and sacerdotal fancies regarding the relations between the Sun and the Moon which illuminates the woods with its nocturnal light.
The most characteristic touch of the cult was, however, that one relating to its priest. As also in other places, he was considered an emanation and a perpetuation of the god himself. The god was considered a divinity which had to lead an ignoble life, and his priest had to be an escaped slave who with weapons in hand for fear of being slain, continually wandered through the woods. Whosoever killed him became his successor, and inherited the name of rex nemorensus that is, the king of the woods. The general metamorphosis of the cult, and the softening of sentiments, brought it about that, to the writers of the end of the Republic, this cult already seemed strange. There was, however, nothing strange in such cult. It recalls the conditions obtaining in the easiest Latin civilization, reminding us of the roughness and the brutality of the Roman Lupercalia, and of the ferocity of the Luperci, or, better still, of the Hirpini on Mount Soracte, These latter, it will be remembered, in imitation of their totem, the wolf, lived entirely by rapine.
Thus the priest of the Nemus Aricinum, as well as the god, is himself called rex. This brings to mind the asylum which Romulus established on the Capitoline Hill, and that other asylum on the Gelian where Tullus Hostilius or Servius Tullhis received bandits and fugitives. The fact that the legend of the very humble origins of Rome was at no time rejected by the national tradition, and was only partly modified and softened in later ages, is in perfect harmony with this primitive phase of Latin civilization. Moreover, even today in certain regions of southern Italy (where forms of primitive social life still survive) the brigand inspires no averse feelings in the farmer, who does not avoid his society. The bandit is more often the subject of admiration than of fear in the mountain fastnesses of Calabria, Corsica and of Sardinia. Perhaps, too, one may note that, notwithstanding so many centuries of civilization and the softening of customs, the country round about Nerni and Gerizano even today recall at times the ferocity of the ancient inhabitants of the Alban hills. Another series of facts illustrates, in still greater degree, the analogies, indeed the identity, of the cult of the lake at Aricia with that of Diana on the Aventine, The Aventine, being the region sacred to slaves and to fugitives of all the Latin nations, was always excluded from the powerittm* On this hill, not only did the slaves and fugitives find refuge (as for instance in the time of the Gracchi), but here, as well as on the Mons Sacer, was the tribunate of the plebs supposed to have been established. And the plebs, in fact, were originally composed of fugitive slaves and of those without masters.
These analogies extend, also, to the representatives of the cult in the two temples,—the one at Rome, the other at Anew. The priest at Aricia was a servus rex and Servius Tullius, sixth king of Rome,, was likewise the son of a slave woman. The servus rex of Aricia had to be a fugitive slave and was obliged to flee continually for fear of assassination by the aspirant to his office,. He was, indeed, the representative and the emanation of that Virbius represented as an aged man, who, under the name Hippolytus, had been trampled upon by the chariot-horses. Similarly, the old , Servius Tullius in vain endeavored to flee in a chariot, and was trampled upon in the Clivus Orbius (or Urbius), where the temple of Diana was situated. Indeed, the Clivus Virbius of Aricia was the street inhabited by beggars, and leading to the temple of Diana. Even today, in the popular speech of Italy, the Sun is called the father of the poor.
There are other points of contact still more remarkable. It is expressly said that Virbius was the Sun and the lover of Diana Aricina. This goddess was worshipped on the ides of August, in other words, in that month which the ancients gratefully placed under the guardianship (tutela) of Vulcan. The ancients also said that Servius Tullius was the son of Vulcan, or of the Sun. To him were sacred the Nones of each month, and his birth was said to have occurred towards the Ides of August. This day, a festal clay of the servi (slaves), was, too, considered the day on which King Serving Ttilltu* dedicated the temple of Diana on the Aventine. Though Virbius was the lover of Diana, Servius Tullius was beloved by Fortuna. In the sacred narratives officially accepted by the Roman priesthood, it was stated that Fortuna secretly visited Servius by night, entering: by the door called Fenesta. It is, therefore, easily understood how the various temples of Fortuna, and particularly that one in the Forum Boarium, were said to have been consecrated by Servius, The divinity worshipped in this temple seems to have been identified with Pudicitia Plebeia, a fact recalling the cult of Diana, which also at Aricia assumed special forms. So true is it, that she was there called Vesta, which reminds us of the Lares discovered in the temple of the goddess, and also of the fact that Servius was considered the son of the domestic Lar, or else of Vulcan.
At any rate, it is certain that chaste Fortuna, who was accustomed to pay her visits by night and veiled, is strongly reminiscent of Diana approaching the sleeping Endymion. To this must be added the fact that the Dianium, which was situated near the vicus Urbius (the later called sceleratus) and which was inhabitated by Servius Tullius, does not seem to differ from the temple and the sanctuary of Fortuna, or of Pudicitia Plebeia, who assisted Servius in his dying moments. The bones of Orestes (which were transported from Aricia) were not buried in the Dianium on the Aventine, but beneath the temple of Saturn in the Forum. The thought naturally arises that there may have been more or less similar cults in the different Latin cities, and that the two temples of Diana (at Rome and at Aricia) were not closely related to each other. Nevertheless, it must be remarked that Roman tradition is consistent in stating that the Aventine was inhabited by the Prisci Latini, and that the temple of Diana Aventinensis was erected by the entire Latin confederation."
Rex Nemorensis is a part of the history of the area. But other than the knowing the story is in Frazer's Golden Bough and mentioned by other classical historians, it does not play a strong part in the pratices associated with the tradition I follow. We do have a strong link to Diana's Day/August 13th. This celebration, known as the Nemoralia by others, is one of our Holy Days.
Friday, August 7, 2009
Roman Religion and the Cult of Diana at Aricia
Anyone interested in digging into the ancient links to our ways should read,
Roman Religion and the Cult of Diana at Aricia.
The book is expensive, published in 2007 by Cambridge Press and "academic".
The author is CMC Green of the University of Iowa - Professor of Classics. (Scroll down to see the author... CMC Green.)
We are so dependent on ancient sources and because of this we are also dependent on translations and associated interpretations of these ancient sources. The woman who wrote this book does her own translations, she reads and speaks latin and greek. She quotes, Livy and Dionysus, Varro, Cicero others (and Greeks), she provides the original latin and then her translation and, most importantly, provides detailed historical context for the quotes.
Historical Context: Italic Penisula? Greek? farther East?
Here is a quote from page 85
"There was always an undercurrent of competition between Rome and Aricia over Diana. One curious fact: Romans and Aricians both acknowledged that their cult statues of Diana were borrowed - but not from Greece, except secondhand through semibarbarous Greek colonies. The Massiliote Artemis whose copy was placed in the Aventine temple was itself a copy in turn of Ephesian Artemis, whereas Aricia's Diana came from Tauropolos - a mythical place generally held to be somewhere on the Black Sea. These acknowledgements of barbaric borrowing become even more interesting in that there is no corroborating evidence for either claim."
Hecate too was not Greek but borrowed from Greek colonies. Hecate is The Great Goddess, the Ancient of Ancients and a triform goddess. The Triform Arician Diana is ancient too and is said to have links to Tauropolos, in which is somewhere around the Black Sea - think of Catal Hoyuk, said to be "the 1st known city". Think of those bull heads and ask yourself if Tauropolos could be another name for Catal Hoyuk. Even if it is not, what is reinforced is that humanity's connection to these goddesses is ancient, going back far into prehistory.
The Goddess link to the Moon.
Quote from p 117-118
"The Moon was "feminine" and the cosmic source of all moisture, and was particularly the source of dew, which she brought at night. The nutriment of the moon was contained in bodies of fresh water, as the sun's was contained in salt water. Thus the lake in the crater by Diana's sanctuary, the speculum Dianae,was not simply ancillary to her worship. The lake "fed" the mooon, even as it reflected her and by feeding her moisture served to help her assist the hunter. The moon was the hunter's goddess because without the dew and the damp to hold the scent of a hare or deer or boar, the hunter and his dogs had little hope of ever finding their quarry. The hunter needed the moon; and the moon , by bringing the damp, captured the scent and thus "captured" the animal, leading dogs, who led the hunter straight to the prey. From time immemorial, the moon *was* the huntress."
"Thus there was no time among the Latins when the moon goddess was not also a hunting goddess, or when the hunting goddess Diana was not also the moon. There is no either-or, no decision we must make between Diana the moon goddess and Diana the huntress. Diana was worshipped in the wild, in a crater beside a lake, because that was where her elements - the moon, the wild, the water - could be worshipped together."
Diana, Hecate, Goddess of the Underworld
Quote from p 134
"It is unlikely that we shall ever know the real Latin name of Diana in the underworld - if indeed there was one. The moon at the dark was called silens - not by the poets but by the technical writers, such as Cato (luna silenti) Columella, and Pliny. The dead were known as the silentes (the silent ones). This pervasive silence indicates not just that there was a relunctance to name these deites amount the Latins but that, for the Latins, the very silence of the underworld precluded naming. Ovid approprirated epithets like Tactia (Silent One) or Dea Muta (The Mute Goddess) for underworld feminine deites. He also seems to suggest that the ghosts of the dead could only moan, not speak. Lucan's Erictho make much of the fact that she needs a just-killed corpse for her predictions, possibly on the grounds that those who had been dead longer would do no good because they were unable to commmunicate. In Aenied, Vergil makes much the same point with the silence of Dido,the moaning and the wordless whimpering of the Trojan shades. Aeneas is allowed to speak with Palinurus, who has not crossed over the river, and Anchise, who dwells in the Elysian Fields."
"One characteristic of Latin religion is that it uses Greek mythology as a rich source of protective euphemism. Thus Hecate or Proserpina (the Latin form of Persephone) are used as names for Diana in the underworld."
This is why we *know* Diana to have underworld elements but we have no name for this goddess, but shade or shadow, Umbrea or we've borrowed the Greek.
Footnote pg 133
"Hecate was, at least in Greek theogonies, a separate goddess. The name, like that of Proserpina, was used to express Diana's underworld character. This is not to say that Hecate was Artemis (or Diana), only that it was useful for speakers to employ the name when speaking of the goddess in the underworld."
pg 134
"Diana, then, was Diana Triformis: Luna, Diana, Hecate. These were neither different goddesses nor an amalgamation of different goddesses. They were Diana, well represented by the triple statue of Diana n the coin of P.Accoleius Laricolus, Diana as huntress, Diana as the moon , Diana of the underworld."
There have always been questions regarding "our" use of Greek names for our Deity concepts. What the chapter titled The Many Faces of Diana indicates is that while the Latins/Romans, and the author uses Latins to specifically separate the religion of the people from the Roman state religion, *knew* the goddess and all her aspects, the Greeks gave form and name to what the became recorded by Latin/Roman writers of the time. And this is what we have today as "history".
Roman Religion and the Cult of Diana at Aricia.
The book is expensive, published in 2007 by Cambridge Press and "academic".
The author is CMC Green of the University of Iowa - Professor of Classics. (Scroll down to see the author... CMC Green.)
We are so dependent on ancient sources and because of this we are also dependent on translations and associated interpretations of these ancient sources. The woman who wrote this book does her own translations, she reads and speaks latin and greek. She quotes, Livy and Dionysus, Varro, Cicero others (and Greeks), she provides the original latin and then her translation and, most importantly, provides detailed historical context for the quotes.
Historical Context: Italic Penisula? Greek? farther East?
Here is a quote from page 85
"There was always an undercurrent of competition between Rome and Aricia over Diana. One curious fact: Romans and Aricians both acknowledged that their cult statues of Diana were borrowed - but not from Greece, except secondhand through semibarbarous Greek colonies. The Massiliote Artemis whose copy was placed in the Aventine temple was itself a copy in turn of Ephesian Artemis, whereas Aricia's Diana came from Tauropolos - a mythical place generally held to be somewhere on the Black Sea. These acknowledgements of barbaric borrowing become even more interesting in that there is no corroborating evidence for either claim."
Hecate too was not Greek but borrowed from Greek colonies. Hecate is The Great Goddess, the Ancient of Ancients and a triform goddess. The Triform Arician Diana is ancient too and is said to have links to Tauropolos, in which is somewhere around the Black Sea - think of Catal Hoyuk, said to be "the 1st known city". Think of those bull heads and ask yourself if Tauropolos could be another name for Catal Hoyuk. Even if it is not, what is reinforced is that humanity's connection to these goddesses is ancient, going back far into prehistory.
The Goddess link to the Moon.
Quote from p 117-118
"The Moon was "feminine" and the cosmic source of all moisture, and was particularly the source of dew, which she brought at night. The nutriment of the moon was contained in bodies of fresh water, as the sun's was contained in salt water. Thus the lake in the crater by Diana's sanctuary, the speculum Dianae,was not simply ancillary to her worship. The lake "fed" the mooon, even as it reflected her and by feeding her moisture served to help her assist the hunter. The moon was the hunter's goddess because without the dew and the damp to hold the scent of a hare or deer or boar, the hunter and his dogs had little hope of ever finding their quarry. The hunter needed the moon; and the moon , by bringing the damp, captured the scent and thus "captured" the animal, leading dogs, who led the hunter straight to the prey. From time immemorial, the moon *was* the huntress."
"Thus there was no time among the Latins when the moon goddess was not also a hunting goddess, or when the hunting goddess Diana was not also the moon. There is no either-or, no decision we must make between Diana the moon goddess and Diana the huntress. Diana was worshipped in the wild, in a crater beside a lake, because that was where her elements - the moon, the wild, the water - could be worshipped together."
Diana, Hecate, Goddess of the Underworld
Quote from p 134
"It is unlikely that we shall ever know the real Latin name of Diana in the underworld - if indeed there was one. The moon at the dark was called silens - not by the poets but by the technical writers, such as Cato (luna silenti) Columella, and Pliny. The dead were known as the silentes (the silent ones). This pervasive silence indicates not just that there was a relunctance to name these deites amount the Latins but that, for the Latins, the very silence of the underworld precluded naming. Ovid approprirated epithets like Tactia (Silent One) or Dea Muta (The Mute Goddess) for underworld feminine deites. He also seems to suggest that the ghosts of the dead could only moan, not speak. Lucan's Erictho make much of the fact that she needs a just-killed corpse for her predictions, possibly on the grounds that those who had been dead longer would do no good because they were unable to commmunicate. In Aenied, Vergil makes much the same point with the silence of Dido,the moaning and the wordless whimpering of the Trojan shades. Aeneas is allowed to speak with Palinurus, who has not crossed over the river, and Anchise, who dwells in the Elysian Fields."
"One characteristic of Latin religion is that it uses Greek mythology as a rich source of protective euphemism. Thus Hecate or Proserpina (the Latin form of Persephone) are used as names for Diana in the underworld."
This is why we *know* Diana to have underworld elements but we have no name for this goddess, but shade or shadow, Umbrea or we've borrowed the Greek.
Footnote pg 133
"Hecate was, at least in Greek theogonies, a separate goddess. The name, like that of Proserpina, was used to express Diana's underworld character. This is not to say that Hecate was Artemis (or Diana), only that it was useful for speakers to employ the name when speaking of the goddess in the underworld."
pg 134
"Diana, then, was Diana Triformis: Luna, Diana, Hecate. These were neither different goddesses nor an amalgamation of different goddesses. They were Diana, well represented by the triple statue of Diana n the coin of P.Accoleius Laricolus, Diana as huntress, Diana as the moon , Diana of the underworld."
There have always been questions regarding "our" use of Greek names for our Deity concepts. What the chapter titled The Many Faces of Diana indicates is that while the Latins/Romans, and the author uses Latins to specifically separate the religion of the people from the Roman state religion, *knew* the goddess and all her aspects, the Greeks gave form and name to what the became recorded by Latin/Roman writers of the time. And this is what we have today as "history".
Thursday, August 6, 2009
Remembering my friend on her birthday
Today was Dana (Polly Surette) Pastori's birthday.
On July 27,2009 via a front page newspaper article I found out that she had been murdered in 2002, her body discovered in October 2005 in the PostKatrina chaos, and her boyfriend arrested on a million dollar bond in June of 2008. He was convicted of her murder last week as well and sentenced to live in prison without parole.
To say I was deeply affected only begins to describe how I felt. Some will ask, "But if you had not heard from her since 2002 how close could you have been?" and this is a reasonable question.
I met Dana (before she changed her name to Polly) in the early 90's. She moved to New Orleans after she left her husband. She was with me when I was still searching for my path. She was Italian in some of her heritage and definitely in her looks but Norse, very strongly so, in her pagan practices. She wanted us to be able to work together. She hoped that I would, with my Germanic background, find a home in the Norse/Odinic tradition. We shared a love of learning and talking and practicing what we learned. But we walked 2 different paths.
In me Dana found someone who was open and accepting of who she was, all of her facets and I found the same. With each other we could be fully ourselves. She said once, and I knew when she said it that she was right, that I would always be lonely, even with people who were my friends if I didn't feel as if I could share all of who I was: the corporate woman, wife, mother, scientist, and witch. Dana was my friend because we shared all the aspects of our lives with each other and we trusted and could depend on each other.
I remember telling Dana that I was going to try to have (my daughter) a baby. I said (and this was before Raven Grimassi had published Ways of the Strega) that I wanted to invite the souls of those who had passed but who had positively influenced me a place to reincarnate. Dana asked me, quite surprised, where I had read this. I had to think about it but I said, I really hadn't read about it, but it seemed reasonable that if you believe in reincarnation that you'd want to offer a positive environment for your soul family. She just shook her head at me quite amazed.
I also remember the Shadowfest/Halloween in 1994 when we did a ritual to call this soul family while the veil was thin. Dana carved the rune for fertility on the white candle we burned. I was pregnant by the 1st week in December and 34 years old. I have always believed that the power Dana had as a witch helped make my life what it is today.
Dana loved her daughters. She was separated from them by her powerful and mean spirited ex husband. She had visitation rites before she ended up "stealing them". I saw her 2 daughters. I watched and comforted her as she tried every legal means possible to get "the state" to protect them and give her custody. When she took them they were shadows of what children should be, too thin and needing her.
She was able to protect them for years. But her contact with an old friend from the Czech Republic, lead to the police finding her. She was convicted and sentenced to probation, which she served out in New Orleans. She lived with me and my family until she could get back on her feet. Her solace in all this was that she was able to have time with her children when they were young. They got to know their mother. And as a result of her taking them they were watched by the state to ensure that their father would do right by them.
Dana had a complex life. Her father, the man her mother was married to, abused her when she was young. This of course affected her for life. But this man was not her biological father. She didn't know her biological father until later in life. But once she found him was able to connect. He was always good to her and I know that she loved him and his family. I want to be able to remember the good that there was in her too short life.
I wish she had been able to go to the Czech Republic as she said she was in our last conversation. She was getting away from New Orleans, from the US, until her daughters were old enough to be able to ask for her. It was always her hope to be able to reunite with them.
To "seal our friendship" and thank me for the being there "when there was no other", Dana/Polly gave me a magical box, filled with magical charged items. One of the things in this box was her first pentacle. It was made by a pagan from a piece of her jewelry, a peridot (our shared birthstone) earring. She said it "showed me my craft". I wear it to remember her and to strengthen my pagan practice.
One of the things in the magical box was a bird nest "plucked from a tree by my love", the man who killed her. She said I should use it if I ever needed to renew my life. Just yesterday I took the nest to the Mississippi River and tossed it in. I do want to renew my life. I'm sure Polly understands this perfectly. I also wanted her and me to be free of any connection to her murderer. Watching the nest sink into the river helped me release my friend.
Before her divorce she was in a terrible accident and literally died at the hospital. She always said this changed her. It opened her to the pagan path in a powerful way. I'll always be glad that she and I shared a small part of this lifetime together. She was a unique individual who never stopped learning from her experiences even when they weren't all good. I hope to meet know and remember her in another lifetime to come.
Saturday, August 1, 2009
Cornucopia
August 2nd is Cornucopia. It is the time when Streghe celebrate and give thanks for the gifts of the harvest. Also, most appropriately, the following week is (only the 2nd ever) National Farmer's Market Week. So get out and celebrate the gifts of the harvest by visiting a local Farmer's Market.
We are physical beings so we can and should learn from and appreciate the physical. But all of our Treguenda have spiritual elements. This is the time when we review our lives and look for what can be harvested and appreciated and what should be weeded and removed.
As the words from the ritual say:
"Now hear the words of Arardia: 'Know that every action brings forth another, and that these actions are linked together through their natures. Therefore, whatsoever you send forth, so shall you receive. A farmer can harvest for himself no more than he plants. Therefore, let us consider what is good in our lives, and what is full. Let us also consider what is bad and what is empty. And let us meditate upon the reasons for all of these things."
Taken from Raven Grimassi's 'Ways of the Strega', republished as "Italian Witchcraft".
So take some time to enjoy the harvest and reassess your life. By doing this you are aligning yourself with the energies of the Wheel of the Year.
We are physical beings so we can and should learn from and appreciate the physical. But all of our Treguenda have spiritual elements. This is the time when we review our lives and look for what can be harvested and appreciated and what should be weeded and removed.
As the words from the ritual say:
"Now hear the words of Arardia: 'Know that every action brings forth another, and that these actions are linked together through their natures. Therefore, whatsoever you send forth, so shall you receive. A farmer can harvest for himself no more than he plants. Therefore, let us consider what is good in our lives, and what is full. Let us also consider what is bad and what is empty. And let us meditate upon the reasons for all of these things."
Taken from Raven Grimassi's 'Ways of the Strega', republished as "Italian Witchcraft".
So take some time to enjoy the harvest and reassess your life. By doing this you are aligning yourself with the energies of the Wheel of the Year.
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